Traverse Fantasy

Guess it's. Never. Really. Over! Although I thought it'd be neat , I didn't like the feel of rural hexes being both home- and work-places. Just felt difficult and nonintuitive more than anything. I've reverted to the previous (unreleased) system, where all peeps live in a habitat hex and work at a non-habitat hex, with the working-time system now in place (yay!). But I'm not really happy with it. Right now, there's no way to reassign peeps between different hexes, and honestly that's not the problem. If I had to actively reassign peeps to work hexes I want, that would suck. If it were automatic, it would still suck because it means I need to make the AI smart enough to know where to assign them (and this is true regardless). What I liked the most is what I have going in the released version, where you don't assign labor until you build buildings, and otherwise you don't worry about it and are even incentivized to improve rural hexes. So I had another...

Hi all! Hosting The Icon0clastic Ball on Itch. This is a jam for Fantastic Medieval Campaigns , a free version of the original role-playing game, published under CC BY-NC-SA 4.0. Although it functions on one hand as a “retroclone”, what distinguishes it from other versions is its unwillingness to compromise the confusing and fractal nature of the text, as well as its willingness to criticize that text and its authors. This culminates in a project to situate the original role-playing game within its socio-historical context, to illuminate the perspectives of its original authors and also reveal the extent to which the text is distorted by our own perspectives. It is neither traditional nor old-school nor war-game, and yet here we all are merely grasping the legs of this elephant. As for this ball, the category is ICON0CLASM . Most readers and players of the original role-playing game, even in the form of FMC , attempt to envision and emulate the game as it was originally played. Res...

Put this together! My partner's grandfather, since we reconnected, keeps sending me crackpot stuff about climate change being fake and the ice caps reformulating (if you're curious: the ice caps grow and melt seasonally, but a lesser rate than which they're melting due to increased global temperature). Although I had an idea of why climate change occurs, I didn't know specifics or how I would answer if someone asked me to explain how it works from top-to-bottom (or perhaps, as a good dialectician, from bottom-to-top; i.e., from fundamental principles to emergent dynamics). So I did my due diligence and wanted to share what I learned in case others also found it useful! Of course, it turns out my GIL owns stock in oil and gas, so there's no convincing him (and, to be clear, this was more for me than anything). Print version on Itch ! 1. Clearing the Air Beijing, China hosted the Olympics in 2013 and 2022. During that first year, the city’s air was infamously smoggy...

Okayyy this is going to be a lot. Had a breakthrough so I don’t feel quite done yet. Hex Assignment One of the original benefits of discrete peeps was determining where they lived. You could hover over a city or suburb to see how many peeps live there, and whether there was any surplus housing or homeless vagrants (due to lacking housing). This felt mostly great, but it was missing something: the system presumed from the onset a division between one's home and one's workplace, as well as a division between the urban and rural (in that peeps, from the get-go, live in urban centers). So I made a weird decision. To start,  no one  lives in the center. You can imagine it as a sort of ritual meeting place such as Catalhoyuk is theorized as having been. Instead, peeps start out filling rural hexes, 1 peep per hex, and that rural hex serves both as their 'home' and as their 'workplace'. Peeps only live in the city when assigned to an urban workplace (which can't se...

There was a certain graffiti during the attempted 1968 revolution in France: " Structures do not walk on the streets!"  Žižek summarizing Lacan (haven't read Seminar XVII  unfortunately) submits that the opposite is true, and this is where one might appreciate his relative conservatism: that the street fights between the student revolutionaries and the police were in fact expressive of and overdetermined by the social order, which is in a constant and dynamic process of self-definition (comparable, I think, to Marx's analysis of the circuits of capital in Volume II   which I summarize here , specifically in that the circuits represent logical moments of a process which really occur simultaneously; that being said, my interpretation is heterodox because many Lacanians act like discourses are individually constitutive of a symbolic order, which I feel like is analytically stupid and useless but whatever). Prismatic Warren (the guy) posted today on  Prismatic...

This isn't that interesting! Just noticed that I have a sort of schedule throughout the year: January & June:  Reading February to April:  Programming July to December:  Writing  I don't know why. I guess that's how my burnout is. Anyway! I'm both looking at  The Brimstone Gospel  again and write-doodling something else. We'll see if I feel like it's good enough to share.

This is a paper I wrote for my first semester of undergrad in 2018. I actually wanted to expand it into a thesis about the economics of online platforms (business people say stupid shit about it) before I shifted my research wholly into Greco-Latin poetry, but I still like the analysis and sometimes wish I could refer to it. So, here it is! Sorry for any eighteen-year-old bullshit. Also I removed the footnotes because they were annoying to reformat, but the works cited section is still there. Shout-out to my professor who was an English literature guy forced to teach engineers how to write. He was very entertained by me, I think. And he was a great professor! Very patient with the STEM freaks.  Introduction Social media is a mode of discourse specific to the information age, an evolution of the personalization of commodities and the commodification of personality where users relate to each other in a manner not unlike celebrities and brand images. As a new means of communication...